太阳努力用自己的阳光射穿这惨淡的浓雾，将光明带给在黑暗森林中迷途的旅人，然而在一番搏斗后发现只是徒劳，浓雾轻松的将光线散射回空中，黑暗和混乱继续统治着下方的世界，鬼魅与妖精们继续在丛林中一边作乐一边取笑着太阳的无力，它们恶作剧般的笑声从四面八方侵袭着旅人，剥夺他试图找回的方向感。他环顾四周，发现来时地上的痕迹不知被谁悄悄抹去，更甚的是，刚刚倚靠过的那棵大树不知何时消失在身后。一阵风吹过树冠发出声响，似笑、非笑，树枝随之晃动着发出如敲击枯骨般的声音回应着鬼魅妖精们的笑声。恐惧开始让旅人觉得慌乱，已经顾不得什么辨识方位只认准一个方向在森林中盲目的狂奔，妖魅笑声与树枝声包围着他与他一起飞奔，精神的压力让他很快便觉得力竭和天旋地转，停下来喘口气的时候，他的余光瞟见身后的树木似乎在快速的移动，定睛一看时，它们都又好好的直立在那里，未曾移动分毫。
This woodland is full of possibilities.
Using a super wide angle lens to shoot landscapes as a landscape photographer is very common. But recent years I’ve used it for just several times in wild land, instead of the wide angle lens, zoom lens ( 70-300mm) become my main equipment.
The zoom lens is very flexible for me to composite. In the wild, wide is not a problem but to close. Yes, just like Robert Capa said “If your picture isn't good enough, you're not close enough.” In wide wild place we can not get close to the main element of our works sometimes - mountain peaks, island in the center of a lake for examples - , so zoom lens can easily bring them to you. On the contrary, I love using wide angle lens in narrow place such as interior of buildings and streets, it can take all the things that eyes can not do at only one glance.
This one is taken by zoom lens, layers ( compositional ) were easily generated by it and the fog. If I used my wide angle lens, all this layers would mix into one chaos layer, no one can tell what I want to express.
